Theatre has for long been a vehicle for storytelling, emotional expression and social commentary. In recent years, however, the boundaries of theatre have expanded, allowing for more experimental, multidisciplinary forms of art. As an artist who blends theatrical dimensions with contemporary art practices such as performance art, video art, printmaking, and land art, my work highlights the fluidity between these realms and how theatre continues to evolve in the modern era.
For me, theatre is no longer confined to a traditional stage with scripted performances. Rather, it is about the exploration of space, live interaction with audiences, and the ability to challenge perceptions. My work frequently incorporates visual scripts, movement and sound, mirroring the live, dynamic nature of theatre.
However, I have taken these elements beyond the proscenium arch to create immersive, often conceptual, experiences. In my work, theatre becomes a space where ideas and emotions collide in real-time, sometimes in unexpected and visceral ways. One of the pivotal moments was when I first ventured into public performance, a form of art that involved the audience as both spectators and participants.
This was a shift from the conventional staged performances to one that engaged with everyday people, much like the early street theatre forms such as nukkad nataks (street plays) in India. This proved to be an eye-opener. I began to realise how the audience, when made a part of the experience, coul.
